▲ Finn Keenan / 'Bottle'
Well hot diddly damn. ‘Bottle’ has been selected to be screened at the Bafta & Oscar qualifying Foyle Film festival.🤯 Thank you so much to the cast and crew and Cavan Arts Crew for making this ludicrous lil film happen! - Finn Keenan
Rich Hall / Drake & PARTYNEXTDOOR 'Somebody Loves Me (micro video)'
“We had two weeks, a micro budget, and the wild idea of throwing a party on a miniature version of Drake’s plane.
It became a micro-video with micro-people but a huge energy - proof that the smallest sets can create the biggest vibes.”
- Rich Hall
Piers Dennis / Self Esteem '69' ►
“69” is the second video in the Town Hall Trilogy we created to launch A Complicated Women.
The core of these videos was built around the communal, social spaces where we come together. Places for rehearsal, education, recovery, celebration, bereavement and of course coven-like meetings that break down stigma’s and celebrate personal preferences.
I’ve worked with Rebecca for nearly 10 years and it’s always exciting to help build/develop the creative world of an artist who constantly challenges expectations.
-Piers Dennis
▲ Hannah Bon / Blondshell 'T&A'
"3 men, 3 dogs and 1 Sabrina in an empty motel room baring it all. We look to spot the similarities between our men and our dogs' hostile behavior as well as their soft side. Sabrina's perfomance will be front and center and serves as our emotional anchor as she maintains the same attitude from start to finish. A softness on the outside and a toughness on the inside.
I also wanted to hone in on what was said about the approach on this album where 'there are no obvious victors or victims this time around.' The goal is not to present these men as dirtbags but instead to use the dogs as metaphorical mirrors to empathize with them as well as with Sabrina."
-Hannah Bon
Megaforce / Riyadh Season 'Usyk Vs Fury 2 Reignited' ▶
Get ready for a clash of titans with a chilling twist! Tyson Fury and Oleksandr Usyk meet in the ring in a battle of champions, reimagined through an unforgettable campaign by Megaforce. Inspired by the style of a parody horror trailer, this promo combines cinematic flair, humor, and suspense to captivate fans worldwide.
In a whirlwind of eerie and comedic moments, Fury and Usyk's rivalry escalates beyond the ring—haunting each other in surreal scenarios ranging from chilling reflections to uncanny encounters in everyday life. Megaforce highlight the psychological tension of the match while delivering entertainment that mirrors the fighters’ bold personalities.
Smith & Foulkes / Telstra 'Duet' ▶
Telstra is launching their new brand platform “wherever we go” with an integrated campaign that's as charmingly distinctive as it is ambitious. Their new brand film is a whimsical animated film called ‘Duet’, which features two characters who journey together through a wondrous world in perfect harmony, as a metaphor for partnership.
Brought to life by Oscar nominated animation duo, Smith and Foulkes, ‘Duet’ is set to a whistling composition of the iconic ‘Islands in the Stream’.
Rich Hall / Joe Hisaishi 'Viola Saga' ◀
“At the heart of all great Ghibli films is a relatable experience.
A story of friendship, love, self-discovery, and complex human emotions. It was in this sentiment that I tried to capture the essence of a woman lost in an empty city at night, hopelessly retracing her steps whilst trying to figure out what it is she is longing for.
Similar to the hero in Spirited Away, there is a story of personal growth and regeneration.”
- Rich Hall
Ed Morris / Heathrow "The Best Memories Start Here" Love ▶
"It feels like every Heathrow Christmas ad coincides with disputes about a third runway or increased flight paths.This year is no exception, and it will be interesting to know what Friends of Richmond Park make of the airport's latest campaign: a three-part series about how "the best memories start here."
- David Reviews
Mischa Rozema arrives at Riff Raff
Riff Raff Films are excited to reveal Mischa Rozema has joined our Main Roster, represented in the UK and US market.
Award-winning director and founding partner of The Panics, Mischa Rozema sets the bar high with his highly visual storytelling, ambitious visuals and creation of alternate worlds.
His mastery of the mixed media is beautifully realised in the critically acclaimed content film for Liberty Global ‘A Report Of Connected Events’ and the exhilarating spot ‘The Fall’ for PlayStation.
"Wauw dat is episch" as the Dutch might say if asked to comment on his work. Which they weren't. But if they were..
We are thrilled to welcome Precious Mahaga to the team as Global Head of Music Video and Longform.
Precious Mahaga is an award-winning music video and short film producer. She has produced music videos for Jorja Smith, Michael Kiwanuka, Kano, Arlo Parks and many more, and has worked with a range of directors, including Zhang & Knight, CC Wade, Marc Klasfeld and Oscar winner, Aneil Karia.
Her videos have accrued multiple nominations and have been recognised at several awards, including the 1.4 Awards, Kinsale Sharks, The Brit Awards and MTV EMAs. She was named Best Producer at the 2021 UKMVAs.
Precious is representing Riff Raff on the jury of British Arrows 2024.
Tickets ON SALE NOW for "David Wilson’s CLOSET”
A career retrospective in the form of a DJ/VJ set dance party for @inmotion.playgrounds evening program
Buy £5 Evening Program:
https://weareplaygrounds.filmchief.com/inmotion/tickets?pl=51&c=1
Tanu Muiño / Harry Styles "Daylight"
Tanu directs Harry Styles. 4 days to prep, 1 year for it to come out. Ah, Music Videos!
Campaign / 2nd place for top production company
“Riff Raff Films had another impressive 12 months. And, with the likes of directing talent Megaforce, Max Siedentopf, The Sacred Egg and Vedran Rupic on its roster, it’s easy to see why. Palace x Gucci’s “Things are looking up”, Burberry’s “Night creatures” and Confused.com’s “Clock” are among a number of notable works released this year, which were well received from adland. This year Riff Raff invested in several directors, including Mother creative duo Thom Whitaker and Danielle Outhwaite-Noël, who joined as directing duo Humans.”
Well, look who's arrived at Riff Raff ... Welcome Smith and Foulkes
After graduating from the RCA, Alan Smith and Adam Foulkes formed a creative partnership based on a mutual appreciation of their similarities and a grudging acceptance of their differences.
Moving seamlessly between the worlds of commercial and independent filmmaking, their multidisciplinary craftsmanship has earned them some of the industry’s most coveted accolades. Honda Grrr took home Black Pencils, the Cannes Grand Prix, and was voted AdWeek’s Ad of the Decade. They have since received an Annie, a BAFTA, an Oscar nomination and a multitude of Arrows.
They live by the mantra that story comes first, then the right technique naturally follows… creating engaging characters that take us to visually extraordinary worlds. With lots of silly gags along the way.
All of which is why they fit perfectly into the Riff Raff family.
Burberry 'Night Creatures' creative and direction by Megaforce
Venturing into the unknown has been part of Burberry’s story since the beginning, starting with founder Thomas Burberry’s creation of innovative outerwear. Today, Burberry, Riff Raff and Megaforce continue this legacy with a film that blurs the lines between reality and fantasy. A celebration of the joy and opportunity found in fearlessly embracing the unknown.
Remember that Babylon Zoo earworm from 1996? Prepare to have it living rent-free in your head all over again courtesy of an equally mesmeric reworking from MØ. In their second team-up with the Danish pop icon, the NoE’s Fa & Fon have cast her as an intrepid sci-fi heroine, captured by an extraterrestrial tribe and transformed into their leader. In true Fa & Fon style, the result is both achingly editorial and satisfyingly retro-futurist at the same time; Alien-style facehugger jewellery for 2023, you heard it here first 👽
BBC Three is Now on TV Campaign ▶
An ensemble piece by 5 of our directors for the launch of BBC on TV. Natty, Fa&Fon, Piers Dennis, Rich Hall & David Wilson. This is how you get directors started, with a little help from some of our “older” directors, sorry Rich and David. Thanks BBC.
MØ 'New Moon' directed by Fa & Fon
Straight from the minds of twin sister directors Fa and Fon, comes the epic Neo-medieval tableaux for MØ’s New Moon.
Set in a post-apocalyptic battleground, the video sees MØ struggle under the weight of an oversized moon while a choreographed battle with swords, technology and some very powerful styling ensues.
It’s Fa and Fon’s first music video with Riff Raff, and we couldn’t be more ecstatic to welcome them to the nursery of evil family (full-costume ceremony, of course)
Mini 'Christmas Campaign' directed by Ed Morris
It’s a little known fact that Chris Rea’s festive classic ‘Driving Home for Christmas’ was written in a Mini, on the long drive home from London to Middlesborough in December 1978. Forty-three years later, Mini is marking the occasion with a heartwarming ode to yuletide drives, and providing plenty of answers to the age-old question of what you can fit in a mini while it’s at it. Amongst the gifts, pets and outsized snowman ornaments in Ed Morris’ latest spot through Anomaly, there’s also plenty of space for candid and heartwarming moments between family and friends, and even a cameo from Mr. Rea himself.
JE T'AIME - Je t'aime is a genuine declaration of love to those, known or unknown, who have crossed and inhabited Megaforce's Léo Berne's life over the last few years - his family, his friends, his loves, the faces of anonymous people who have crossed his path, the places he has visited, the small unusual scenes of his daily life, snatches of his travels, and finally the light that is revealed as the pages turn and the day fades or rises. CLICK TO PRE-ORDER
Aldi 'A Christmas Carrot - A Tale by Charles Chickens' directed by Todd + Kylie
You may think vegetable puns are a corny way to get someone’s attention, but ‘A Christmas Carrot: A Tale by Charles Chickens’ is here to squash that theory. The news that Aldi’s Kevin the Carrot is back for a sixth year, should appease any fans who’ve been rooting for his return. Six years on, and everyone’s favourite festive vegetable is still as fresh as when he first appeared on our screens. The latest spot in Aldi’s much beloved Christmas campaign, was again brought to life by Psyop directors Todd and Kylie through McCann UK.
Burberry 'Open Spaces' Creative and Direction by Megaforce
“We’re pretty happy with last years campaign and would like to keep going on that route, this time focusing more on Nature, Outerwear and the Luxury aspect of the brand. We’ll tell again the story of a group of friends having a walk but this time, we’ll push it one more step into the expression of their freedom. Last year, they were getting free from the threat of ice blocks falling from the sky. This time we play with gravity and open spaces”.
Wagamama 'Vegamama' directed by Vedran Rupic
Introducing Vegamama, an angry vegan monster. Created by Uncommon, to promote Wagamama’s new plant-based menu and directed by Riff Raff’s Vedran Rupic, who meticulously crafted Vegamama’s presence to feel scary but cute all at the same time — in the style of Japanese film genre ‘Kaiju’. Rupic took influence from 50’s-70’s cinematography and saturated colour palettes to create a nostalgic feel in a modern world.
Celeste 'Tonight Tonight' directed by Noah Lee
It’s really rather fitting, that Noah Lee’s first directorial partnership with Riff Raff Films happens to be for the single ‘Tonight Tonight’, from modern soul-singer Celeste’s debut album. Wandering into the psyche of the character our songstress embodies, the film meanders through dive bars and Alice-in-Wonderland-esque hallways filled with butterflies and complicated individuals.
Nike 'Nice Guys Finish Last' directed by Rich Hall
Nike and Marcus Rashford are waving the offside flag at toxic masculinity in football.
‘Nice Guys Finish Last’ is the latest spot directed by Riff Raff’s Rich Hall for the brand; this time through Wieden+Kennedy London and with something different, and incredibly important, to say. Featuring an out of touch ball dishing out the advice of old, this nasty character is satisfyingly booted out of frame mid-sentence by Rashford who heralds in a new era of football – one which will not stand for this old school way of thinking. There’s no need for this ugly side to our beautiful game. Welcome to the new normal. #PlayNew
KFC 'Your Chicken Could Never' directed by Rich Hall
KFC have launched a new campaign with Mother directed by Rich Hall which showcases the unbridled passion the Colonel inspires amongst people up and down the land. The ad features a cross-section of fans all showing their love for KFC. It includes everything from those 999 calls when KFC ran out of chicken, to people parading their home-made KFC merch, all set to the Barry White classic, You’re The First, The Last, My Everything.
Heineken 'We'll Meet Again' directed by Francois Rousselet
Heineken has launched a new global campaign, ‘We'll Meet Again’, which celebrates people’s resilience and creativity over the last year and looks at how people have found inventive ways to keep the spirit of ‘going out’ alive from the safety of their own homes.
Directed by Francois Rousselet and captured in Barcelona, Spain under strict Covid-19 protocols.
Facebook 'Good Ideas Deserve to be Found' directed by David Wilson
"How do we make an ad about ads not too ‘ad-y’? Well, my approach was to embrace it like a fashion catwalk. The treatment was accompanied by ‘Black Belt’ by John Grant - as my approach combined the tone of the music with the killer, rhyming script written by the Droga5 team - and this song has remained with us throughout our journey of making this film. That pounding 4 to the floor rhythm of a camp fashion strut running through the film; instructing everything from the speed of the VO read, to the edit, the pacing of the story, right down to the cadence at which the cyclists pace up the hill: everything was on beat" - David Wilson
Just Eat 'We Got It' directed by Finn Keenan
Finn Keenan directs the latest spot for Just Eat through McCann London. Launching the arrival of big brands such as KFC, Greggs and McDonald’s to the platform, “We Got It” features an over-familiar AI assistant, a bewildered hero, a safety bunker, a kayak, a handful of bespoke lampshades and a moose. Everything you’d expect when Finn meets food delivery advertising.
How to Stop a Recurring Dream is an independent film written and directed by Ed Morris
‘Written and directed by’ is something most directors hope to see in front of their names at some stage in their careers. With the statement ‘8 official selections’ being an added bonus.
All of the above applies to Ed Morris’s debut independent feature film How To Stop A Recurring Dream Exploring themes of separation and loss, the drama takes place over a weekend in the lives of two sisters; Yakira and Kelly. An imminent family separation and split custody arrangement forces Yakira to kidnap her estranged little sister in an attempt to reconnect before they part.
Currently doing the international festival circuit, on November 6 the film will have its UK festival premier as part of Aesthetica Festival’s 2020 programme, before launching (just casually) on Amazon and the likes in January 2021. Follow your dreams kids – but perhaps not if they’re the recurring kind.
IKEA ‘#BuyBack Friday” directed by The Sacred Egg
The directing duo believe sustainability shouldn’t be put in the too-hard basket, so their latest commercial through Edelman promotes #BuyBack Friday; an initiative that turns the table on Black Friday sales by encouraging you to sell your furniture… back to IKEA.
Uber Eats 'And Them' directed by Rich Hall
Rich’s work is often characterised by its charming characters, and this latest spot for the food delivery giant through Mother London is no exception. Nan and her dog even make an appearance. Two words punctuate the ad: “and them”, delivered time and again by Kadiff with a generous side of cheeky grins. It’ll have you grinning, it’ll have you winning, and it’ll have you looking to see if your local shawarma house is on Uber Eats yet.
Salvatore Ganacci 'Balloon' directed by Vedran Rupic
If you need more proof of how good this guy is ..watch this ..more to follow … who would think of this … GENIUS.
"We felt like we wanted to do "shitty ads" for Salvatore. So they'd play out like he is a hero but he is also not great all the time. So we'd end up with something with the confidence of an ad, but the offering was just not that great or just pretty unclear. "
BT SPORT ‘Unlimited Sub’ directed by Rich Hall
It seems the word is out, but if you hadn’t heard; Rich Hall’s just directed a spot for BT featuring as many football stars and in-jokes as the concept of ‘unlimited’ (within 60 seconds) allows. The commercial through Saatchi & Saatchi London takes the news of BT launching unlimited substitutions on football packages for the 2020/21 Premier League, and spins it into a chaotic fake news story of unlimited subs on players.
▼ Hinds 'Just like Kids (Miau)' directed by Keane Pearce Shaw Had a fuck tonne (metric obviously) of fun shooting this one. Such a challenge to shoot 3 completely different set ups in a 10 hour day but somehow the team smashed it. A huge thank you to everyone involved for your time and work. A personal thanks to all the team at Blur Films for yet another amazing job, respect.
This is what happens when Notts Forest meet Madrid ❤️❤️❤️
▼ Very "Being Yourself" directed by Ben Liam Jones
The well-worn cliche little girls loving princess parties is given a heartwarming twist in this sweet spot for Very by Ben Liam Jones for St Luke's. The first television ad of the new campaign a dad is committed to helping his monster-loving daughter meet the dress code at a princess party.
Costumes available from Michelle May.
▲ Just Eat 'Snoop' directed by Francois Rousselet Shot in LA in March, it was perhaps the last shoot of the ‘good old days’ to take place on the planet before you-know-what shook things up. Based on the premise that the original ear-worm started to annoy most people, James & Will the smart creative team from McCann decided to play on this and get Snoop Dog to “Get those Just Eat Fools on the line” and lend some much needed cool to the food delivery industry. And then Francois added his usual amazing visual aesthetic creating a lighthearted rap music video-esque world. As Snoop says “Now that’s what I’m talking about”
Great work by St Lukes. Simple Messaging ▲ Riff Raff are not open for normal business but what we are is open to any ideas where our production knowledge can help in these difficult times. And that doesn’t mean 'let's think only animation.'
How do we craft in this environment?
Stay safe everyone xx
Postmates “Burger” directed by The Sacred Egg ▶
Welcome to the world of food craving, created with new friends Mother LA and Postmates.
When all you can Burger is think about. When all you can Riff Raff is “send those scripts, please.”
Salvatore Ganacci ft Sebastian Tellier directed by Vedran Rupic
The second collaboration between Salvatore and Vedran. This new video and song brings the world of Salvatore to a slightly different genre than one would expect. It's a coming-of-age story that leaves none of life's big questions unanswered. Mostly because wrong answers are also answers.
◀ Reebok “Zigurine” directed by The Sacred Egg
So pleased to have The Sacred Egg work with the great people at Deutsch New York on our first piece of work in America. Stop frame animation always brings people together when you are in a studio for 6 days watching paint dry.
▲ Spotify "Playlist of the decade" directed by BRTHR The spot focuses on ‘Noah’ and his creation of his own playlist, delves into the energetic, perfectly chaotic world of Spotify.
Xbox "FUTMAS" directed by Rich Hall ▶ The second instalment for FIFA20. Sorry for the delay Rich was playing FIFA.
◀ Samsung "Awesome is for everyone" directed by Ryan Staake This is what happens when you are of that age when your go to app is Tik Tok and spend 2 weeks in Thailand with W&K Amsterdam.
▲ Alden Volney creates an animated logo for Sons of Raphael's upcoming album "Congregation of Possibilities."
◀ Deep Clean a short film directed by David Wilson, starring Harry Clayton-Wright Cleanliness is next to godliness. A celebration of self-pleasure and Objectophilia (the love of objects). Deep Clean premiered at the IRIS Prize LGBT+ Film Festival in Cardiff earlier this this year, receiving a review from Little White Lies as one of the six best new LGBT+ short films from around the world. The film has also screened at NewFest in New York and Fringe! Queer Film & Arts Fest in London.
▲ Hinds "Going Solo" directed by Keane Pearce Shaw Keane directs the first single off of the band Hinds' third studio album. "Riding Solo" is about being constantly on the move, being everywhere and nowhere at the same time.
Nicolas Godin ' The Border' directed by Alden Volney ▶ Alden wanted to explore the idea of freeing yourself from all the clutter and the noise, both physical and emotional. Thankfully he did.
◀ Matthew, the owner of Riff Raff, has been asked to chair the 2020 British Arrows Craft jury. "Very honoured and excited, but if it ain't at The Grosvenor House then it's a deal breaker"
▲ LEVI'S directed by Jon E Price The campaign takes a documentary style look at what five young musicians across Europe feel voice means in their life and what or who in their community has inspired them to find, trust and use theirs.
▼ Ben Liam Jones directs Land Rover for The Rugby World Cup Set all across the world, the campaign shows how rugby has a place for everyone, whatever shape, size, ability, colour or gender.
Danilo Parra x New York Times Magazine ▶ Following skateboarder Tyshawn Jones around NYC, Danilo and DP try to keep up with Tyshawn down the crowded streets of Lower Manhattan.
▼ NIKE KIDS “YOU’RE IT” directed by David Wilson By mixing live action with animation David Wilson and Nike Kids takes a unique spin on the classic game of 'tag', reminding kids that they have 'the power'.
Nordstrom "An Open Mind is the Best Look” directed by Danilo Parra ▼ Danilo's new spot for Nordstrom documents the poetry, soul and rhythm of New York, showing just being yourself makes you stand out.
◀ NIKE LYG directed by Rich Hall Rich Hall serves up a visual feast for NIKE in these series of looping films with techniques ranging from 360 cameras in nerf balls, to rigs with 12 cameras. Kaboom!
▼ Adidas “My Shelter” directed by Ryan Staake Starring Jimothy Lacoste and Odalys Spena locked in the eternal battle of who has the worst weather??
◀ Sigrid "Mine Right Now" directed by Max Siedentopf
The video starts with a long one-take shot inside a cosy living room where we see Sigrid lying on a carpet and next to her is a puzzle of a photo of her and a guy but the pieces of his face are missing.
WELL THAT WENT OUT THE WINDOW! Max had to stand in as Sigrid couldn't make the shoot!
Ed Sheeran ft Chance the Rapper & PnB Rock "Cross Me" directed by Ryan Staake ▶
This video is going to be a truly special and unique project, that may briefly break the internet if not me or MPC.
I look forward to making it with you even if i don't meet you until i show you you the final video as we are making you in 3D!
◀ Danilo Parra is making videos for the bands you haven't heard yet, but will do in 6 months time. He is ahead of the proverbial wave. USE HIM before someone else does.
François Rousselet Orange "Content Battle" A genre-hopping caper for Orange by François Rousselet showcases the brand’s streaming firepower. Scored by Billy May’s theme tune for The Green Hornet, the ad zips between takes on Westerns, costume dramas, and high school comedies before settling into more humdrum surroundings.
Halifax 'That New Home Feeling' by The Sacred Egg It feels like you could do a fun ad with a dancing toy that makes the viewer smile. Or we can aim higher. We can make something that really captures the imagination of the nation and warms the cockles of even the stoniest of hearts. Something that makes people engage in the same way they do with a Pixar film. That’s the level of ‘feel good’ that we’re after. Because that’s the heart warming feeling of owning your first home.
Halifax 'Digital Assets' by Finn Keenan The thing that excites me the most with these spots, and which makes them feel different from the main film is their ‘interactiveness’ or more, the feeling of interacting with the slinky as a member of the public. Placing the screens in crowded streets, or on escalators means there will always be people there who feel like the slinky is looking at them!
Hala Matar We are so pleased to welcome Hala Matar to the ranks of our emerging talent in the Nursery of Evil. A Bahraini film director based in LA, Hala has directed films for Vice, NOWNESS, Interpol, Chanel, Kenzo, Vivienne Westwood and Diesel. Her films feature: Kristen Stewart, Chloe Sevigny, Johnny Knoxville, Anton Yelchin and Buck Henry. She graduated from the University of Virginia and began her career as an art curator in New York City where she ran the gallery Chiles Matar. Gulp!
Man like Fone has just done something pretty incredible and cycled from San Fransisco to LA with The Fireflies Tour
Not only to prove to everyone that he’s fitter than them but also to raise money for a brilliant cause Bloodwise & City Of Hope to conquer blood cancers. Please help sponsor him on this link:
nationalevents.cityofhope.org/site/TR/BikeRide/IFE?px=1880833&pg=personal&fr_id=3510
easyJet “Imagine” by The Sacred Egg for VCCP. From the directors treatment: “This script has been so interesting to think about. It’s a very visual script and it’s easy to concentrate on that. But where we’ve tried to start is with the emotions you described, and then see what visuals they lead us to. We love the idea of wonder. We love the image of someone staring out of a plane window. The fact is that none of us, whatever age, can resist peering out through that little porthole into the great big blue yonder and still be amazed by flying.
Finn Keenan’s new social media spots for Nike & W&K Amsterdam. "We open on a straight forward shot of Kokorin warming up on the touchline. He turns to camera and asks, ‘Should i ask the trolls if i’m living up to my potential?’ We cut to a static shot of Kokorin standing staring at the camera. We crash zoom out to reveal a massive stop frame animation troll towering over him. There is an awkward pause where it seems like the troll is thinking about the question.
Then very suddenly he just stamps on Smolov.
This will have the lovely nostalgic feel of the work of Ray Harryhausen".
Unexpectedly, but very much appreciated Riff Raff won for the 2nd year in a row the award for best Creative Production Company 2018 at the Creative Circle Awards last night. Always humbling.
We do not tell finely tuned insightful stories, or marry classic artistry or cutting edge technology across multi platform platforms, or have the highest level of original anything apart from ourselves.
Seems to work.
Yako is a bear to help kids communicate better with their parents.
Yako (pronounced Yay'Ko) is Okay backwards as it's Okay not to be Okay.
Kintsugi warrior is a female fighting machine made from porcelain that competes against other Kintsugi Warriors in a violent futurist fighting league. Each fighter is decorated in a their own ceramic style and carries their own unique weapon.
The way a fighter is victorious is by smashing the porcelain shell off their opponent.
After each fight each warrior is fixed using the Kintsugi technique. The older and more experienced the fighter the more golden scars they will carry. Each one worn as a trophy of combat.
Ed Morris / Dukes 'Mask, Strap, Clamp'
Everybody wins in this cheeky plug for Dukes Cupboard, a vintage clothes shop in the heart of Soho.
Once a guy's bought his son a natty hoodie for Christmas from the advertised retailer, he decides to get something for the missus, too.
As luck would have it, old-school sex shop Eros Movieland is right next store. Best not get those two presents mixed up. - David Reviews
Finn Keenan / Kneecap 'Sayōnara'
The intensity and ominous tone of Sayōnara reminded me of both the best nights out and the brutal days that followed. That’s what sparked the idea. But I wanted to turn a typical dance video on its head and focus on the aftermath and how the chemicals in your body change as the week progresses. I wanted to capture the visceral intensity of paranoia and intrusive thoughts. Somehow, that “never again” anxiety of Monday slowly shifts by Friday into a “Weekend is here. Monday will never happen again! ” optimism.
Through conversations with the band, we also wanted to nod to Belfast’s rave history. In the 90s, raves weren’t just parties — they were acts of resistance, dangerous but vital spaces where Catholics and Protestants came to be together and dance. That spirit is what fuels the scene of Jamie Lee driving the pimped-up Kneecap Land Rover across the city — a kind of rave pied piper, spreading the idea that art, music, and creativity can break down the metaphorical walls which are often stronger than the physical ones. Pent up anger and frustration are released through dance instead of turning into hate.
Which is what the ludicrous end of the video is about. I wanted this end scene to be feral! Working with Jamie Lee made this possible. She’s one of the most open, vulnerable and fun people i’ve ever met. Working with her was incredible. We didn't have a choreographer so for the end dance we’d have a chat before each take and then she channeled her own stories and emotions into the performances, each one completely different than the last and each one genuinely left the crew speechless. It was an incredible thing to witness. She’s a powerhouse!
Massive thanks to Riff Raff for their support and to all the incredible cast and crew who created such a lovely vibe on set that meant everyone was comfortable doing some of the most bizarre stuff i’ve had to ask people to do on camera. And of course thank you once again to Kneecap for trusting me with this absolute pile of weird! - Finn Keenan
Keane Pearce Shaw / Nottingham Forest FC '25/26' I’ll keep this one short and sweet. I fucking love my job. I love my football club. When the two combine I put my blood sweat and tears into it. I hope it shows. 160 years. One of the oldest clubs in the world. Back in Europe after 30 years. Wearing one of the most beautiful kits we’ve had. As always my family are front and centre. They’re the reason I’m here and named after one of the guys that feature in this film. One of my heroes, psycho himself, Stuart Pearce. To collaborate with Jason was the icing on the cake. - Keane Pearce Shaw
'It took a lot of incredibly talented and passionate people to come together to make this video in just over a week. And I can't believe the trust and support we got from Kneecap and their team. A once in a life time kind of job. So grateful to each and every one of yiz.
More Blacks, More Dogs, More Irish, Mo Chara. x'
-Finn Keenan
Humans / Toyota 'Get in'
A plumber, fisherman and paramedic step into a car. It’s a Toyota Corolla; the world favourite car, and the focus of Toyota UK’s newest campaign.
With over 50 million units sold since 1966, the Toyota Corolla isn't just a car; it's a global icon. Now, Toyota UK is ready to remind consumers why this iconic vehicle remains the world’s favourite, with a brand-new, UK-originated campaign that’s as versatile and universally appealing as the Corolla itself.
Launching today, June 9th, 2025, the campaign, developed by T&P London and directed by Humans from Riff Raff, takes a refreshingly comedic look at the diverse lives of Corolla owners. From a fisherman keeping an eye on a groom at his stag do, hilariously dressed as a fish, to a car park stand-off between a plumber and a hairdresser, each spot takes a comedic look at the Corolla’s effortless integration into the varied tapestry of British life.
Dan NS, Creative Director at T&P, adds, "When I saw the brief, I was overjoyed – the most sold car ever. Rarely do propositions come so single-minded. This gave us the chance to tell simple, human, and entertaining stories, and the product did the rest of the selling for us. Our creatives wrote around 50 million scripts, and Humans helped us squeeze every drop of comedy and humanity out of every frame. Get in."
Riff Raff Wins Most Creative Production Company 2025
Riff Raff Films founder Matt Fone discusses the production company’s approach to finding and supporting directors, and the challenges facing the industry
Matt Fone empathises with directors at the moment. The global talent pool is vast, yet agencies appear to go for the same few names, time and time again. “Beating those go-to production companies is hard,” the founder of Riff Raff tells us. It’s not just the directors but the production companies that can bear the brunt of repetition – and they’re not just competing against other talent but against other distractions.
“My strategy is, how do I cut through all the Instagram messages? How do I cut through all the emails that everybody gets, to get people interested in my work and my company’s work?” Riff Raff’s successes in this year’s Annual Awards suggest this approach is paying off.
Fone’s first line of defence is to build up a solid roster of established names – the likes of Megaforce, whose horror-inspired Usyk vs Fury boxing trailer picked up an award – while nurturing emerging and mid-career talent. Finding this balance is what drives him. “That’s what really makes the company pleasing for me,” Fone says.
Smith & Foulkes / Schneider Electric '100 Years'
"We never stop to think about the little switch hidden away in a cupboard that has allowed us to safely enjoy the electricity in our homes for the past 100 years. It’s time for the humble, selfless Circuit Breaker (CB!) to take centre stage, and this story allows us to celebrate its vital role in our everyday lives."
-Smith & Foulkes
Piers Dennis / Self Esteem 'The Deep Blue Okay'
Rebecca and I have worked together for over 10 years now and The Deep Blue Ok shoot somehow felt like the pinnacle of our collaborations, like all the conversations we’d ever had led there. That sounds cringingly pretentious for a music video, but this feels like a deeply personal piece of work, and making it had the rare feeling of everything clicking into place.
We had 25 minutes - at the end of the album artwork shoot - to light, block and capture. Rebecca and I barely spoke a word during the entire process. The blocking movement was rehearsed, but everything else came in the moment.
We’d originally wanted to put this track into the “Town Hall Trilogy” series - but things changed and maybe for the best, as this feels like a perfect epilogue to those videos. The “Town Hall Trilogy” are songs that fit beautifully into a setting of communal experience and connection, but this song feels more internal and deceptively introverted.
I’ve been fortunate to see the new album, A Complicated Woman, come to life from its very early inception, but this shoot was the first time I witnessed Rebecca’s true expression of it and I found it profoundly moving to watch her let it all go, it felt like more performance art than lip sync take.
In the age of how’d-they-do-that one-shots this video brings nothing new - but for me, Rebecca’s performance cuts right through. We need to celebrate genuine human expression more, I believe it encourages us all to process things more. In a time where imagery seems to prioritise grabbing attention over retaining it, we need to feel more things. When Rebecca declares “I might fucking try today” at the end of this song, she’s not punching down, or calling herself out - she’s pulling herself up at a time when she’s most beaten down. Which is an inspiring thought right now. Makes me feel some things!
Humans / Mischief NY & JCPenney 'Airplane' & 'Ropa Vieja'
Funny thing, human nature. It makes us do all kinds of odd, unexplainable things. Like that time we pretended to be inanimate furniture to avoid a door-to-door vacuum salesman. But the less said about that, the better.
What is so genius about this campaign is that JCPenney taken one of the universal laws of human nature (people love to save money) and taken it a level deeper to a more emotional, primal place (people love to win over their in-laws, elicit envy from wealthy travellers and feel like pro tennis players.)
They’ve identified those little moments that you just can’t put a price on. And you’ve put a price on them. A low, affordable price. We didn’t want to do anything stylistically that overpowers this neat idea. These are real human insights so we want each scene to feel authentic and believable, not some hyper-art-directed Wes Anderson world.
We can stretch time to luxuriate in the moment and savour the quality of the clothing, but if we throw too many techniques or tricksy camera moves at this we could kill the joke completely and leave viewers stone cold confused. And no-one wants a “huh?” when you could have had a “ha!”
-Humans
Niall Trask / Alabaster DePlume 'Invincibility'
Alabaster was one of the first people I met when I moved down to London, a collaboration has been a longtime coming. He gave me total freedom to write on one of three tracks and i returned his trust by choosing to euthanise him to the score of ‘Invincibility’.
On a personal level, there has been a fair share of tragedy in recent years and finding the absurdity/humour in it all, is always my go-to remedy. The treatment was ambitious and I’m grateful to everyone who helped bring this to life or put it to sleep should I say.
-Niall Trask
Rich Hall / Nike Phantom GX 'The Five Stages of Haaland'
Haaland. An unstoppable force of nature. The most inevitable force in football. Collides with an immovable, stationary object. The goalie.
If we dig deep into it, we realise it’s a classic tale. The runaway train unable to stop before the broken bridge. Haaland versus the goalie. Undeniable. Inescapable. Irresistible.
We’re caught in the enthral as he bears down on the goalie. Like the terminator walking towards you, he’s a machine.
-Rich Hall
Ed Morris / Everything is Recorded ft. Mary in the Junkyard 'Swamp Dreams #3'
"The track has this fantastic and uneasy urgency to it. That took me straight to walking with that kind of relentless sense of purpose.
Initially I thought of Clari walking with a doll of herself in her arms and the doll sings the lyrics. Then I thought the idea of her carrying an old TV with Clari walking as the true Clari and the Clari on the TV as the persona or the stage Clari. We’re all kind of split like that. I knew a lit TV would look great in a moody landscape, so out of place. Then it became a journey, toward the discarding of the persona, into the dirt. I liked the idea of the persona having a limited life or time. Hence the wire and the eventual plug pull. So the vid is about the self or true us outliving the persona. But that’s all implicit and cloaked in something thats just intriguing, beautiful and hopefully captivating to watch.”
-Ed Morris
Keane Pearce Shaw / Adidas Predator 'Under the Tongue (Trailer)'
Rounding off the 30th anniversary of football’s most iconic boot in the only way that seems fitting, SoccerBible and adidas present the trailer for ‘Under The Tongue’, a feature-length documentary exploring the seismic impact the Predator franchise has had on the beautiful game, both on and off the pitch.
Few boots – if any – can claim to have had the same level of impact on the game as the adidas Predator, both in a performance and cultural sense. Through constant evolution it continues to be the boot of generation after generation, performing on pitches throughout the world at the highest level of the game. Now, adidas and SoccerBible take a deep dive into the never-before-told story of football’s most iconic boot.
‘Under The Tongue’ examines how a unique blend of industry-leading innovation, culture-defining design, unrivalled star power and timing all combined to create a boot that would fundamentally change the trajectory of the football boot industry and have a transformative impact on adidas as a business.
Featuring never before heard contributions from era-defining footballers such as David Beckham, Zinedine Zidane, and Eniola Aluko – as well as current stars including Jude Bellingham, Alessia Russo, Aitana Bonmatí and Trent Alexander-Arnold – the documentary is the most insightful look into what is one of the most influential and transformative boots of all time.
‘Under The Tongue’ premieres on 11 December, and will available to view from 9PM CET on the Adidas Youtube Channel
A light-hearted take on the typical festive frenzy champions the online department store as the ultimate solution to ease shopping stress.
British online department story Debenham’s has unveiled this playful, attitude-infused spot created by Exposure Communications, positioning itself as the obvious answer to the Christmas shopping chaos.
The campaign, titled Duh, Debenhams, features an ensemble cast of British celebs, including actress Elizabeth Hurley, model and TV host Leomie Anderson, comedian Ellie Taylor, and presenter/podcaster Hannah Cooper-Dommett.
Each vignette is a juxtaposition from dreary, rainy skies to festive zen, and showcases relatable shopping challenges, accompanied with a mischievous wink and a nod. The accompanying soundtrack is a reimagined rendition of the classic Carol of the Bells, offering a playful twist on the traditional melody that sings the campaign’s catchy tagline, ‘DUH’.
Ed Morris / Beavertown 'Pub Stories: A Good Night Out'
Here at Riff Raff we love a good night out 🍺 Ed Morris shines in this film for Beavertown not only as a co-director, but a creative and writer - no bones about it
Riff Raff are proud to welcome Hannah Bon to our Nursery of Evil
Hannah Bon was born in Japan and raised in Holland, the UK and Brazil and is currently based in Los Angeles. Her cinematic work is inspired by her Japanese heritage, bold colour, fashion, and surrealism and leans into an unconventional, strange, and sensorial world. Hannah is able to toggle between eccentric tongue-in-cheek and subtle and visceral style. Constantly exploring new techniques to incorporate into her work, she’s currently obsessed with 3D animation/modelling.
Hannah has worked with Warner Records, RCA and Columbia Records and has recently directed music videos for artists such as Q, Ricky Montgomery and Isaac Dunbar. Her film, Paired Flowers (組の花), received a Silver at the 1.4 Film Festival and her film, REPLICA, won Best Fashion Film at the Aesthetica Short Film Festival.
Her work has been featured in publications such as PAPER, Hypebeast, Nowness, Shots, Beyond the Short and Boooooom. Hannah speaks English, Dutch, Spanish and Brazilian Portuguese………she’ll definitely teach us a thing or two.
Rich Hall / DIAL UP
In collaboration with movement artist Michael Boateng, Rich Hall presents "Dial Up". Telephone wires are practically symbiotic with street corners, and therefore inexplicably linked with street culture. “Dial, Up” explores the cyclical nature of being tied to where you're from. The thick black wires suspend the subject in mid air, like a fallen angel helplessly entangled in the city.
Rich Hall / Depeche Mode “People Are Good”
“I want to make an idea that changes multiple times during the video, as if unravelling with the song and our understanding of it. The song gave me feelings of the fragility of human relationships, how easy we forget, how easily we’re distracted. So I came up with the idea to somehow immortalize those everyday, mundane human interactions, and heighten them to extent that they feel like art." - Rich Hall
Omar Jones / Courageous Conversation Global Foundation "America Erased"
Omar Jones sheds light on America Erased.
'All across the nation, the legacies of heroes like Martin Luther King, Jr. and Ruby Bridges are disappearing from our school curriculum. These stories aren’t just history; they embody the values this country stands on… stories that not only teach us about a very real and visceral past but guide us towards a better future.
Proud to spark this vital convo alongside Wieden+Kennedy NY, Courageous Conversations, and Riff Raff. “America Erased” is more than a PSA—it’s a call to action. Let’s keep our history alive for the next gen.'
Omar Jones
The Sacred Egg / Smirnoff "We Do Atomic"
“It feels like there are three ideas we need to capture: Life is like a cocktail. We are better together than as isolated individuals.
It’s in our very DNA to be together.How do we address all three of the above while also making a single minded piece of communication? How do we make the image of these bubbly atoms more than just a rational advertising metaphor… how do we make it emotional and engaging? We love all the reference imagery in your deck but how do we create something so original and iconic that you can’t find an image for it? The key for us is to make the people in the script active. We want to put them in control”.
The Sacred Egg
Megaforce / John Lewis “Snapper: The Perfect Tree”
"There is always a lot of anticipation ahead of a new John Lewis Christmas commercial, but more so this year as the industry has been keen to see what changes would be wrought by the switch from adam&eveDDB to Saatchi & Saatchi. And the answer is... not a lot. Which is to say, 2023's ad is a worthy addition to the canon of work established by John Lewis's previous agency."
David Reviews
Finn Keenan / Declan Mckenna "Nothing Works"
Superstar Finn Keenan is back doing what he does best, making music videos. This time collaborating with Declan McKenna to create this clever, funny, fresh promo for his new track ‘Nothing works’.
The bright lights of Cavan Town were far too tempting for legendary DOP Simon Chaudoir to pass up on, resulting in an amazing crew, friends & family, all working together to make this video happen.
Smith and Foulkes / Honda “Keep Dreaming”
Adam and Alan return to work with RPA for yet more great Honda work.
“We like the idea of seeing recurring elements that bring even more fun and warmth to the film and reinforce the sustainability message. (There’s also a little wink to past Honda spots)“.
David Wilson’s CLOSET
"Sept 8th 2023 - ‘CLOSET’ premiered in London as part of the @inmotion.playgrounds festival.
‘Play’ was the intention behind the this career-spanning mega-mix where old and new friends were invited to be a part of the performance.
As a lover of camp and theatrics, that energy was front and foremost in this experimental party.
Creativity has always brought me play, camp, sexuality, and dance. And this opportunity took this to a live stage with a large dressing up box and an array of incredible performers: @angie_ang.els , @wet_mess , @masstorofficial & @zachwitness "
David Wilson
François Rousselet / The Rolling Stones "Angry"
Francois Rousselet & Riff Raff reunite with The Rolling Stones for their first new music in 17 years for the music video ‘Angry’. Starring actress Sydney Sweeney, shot on 35mm in LA.
Before the music video era, there was a rock billboard scene in L.A. Circa 1967, a few independent minds in the music industry posted giant, temporary monuments to rock icons that said it all.
Larger than life, hand-painted homages that would chronicle rock forever, and it goes without saying The Rolling Stones had theirs. These incredible hand-painted billboards have almost all disappeared today, giving way to screens, but the locations haven't changed.
And so, a seed of an idea was born; what if we could bring “The Stones” to life performing “Angry” using their archive from live gigs, old videos, album iconography, oh and throw in a famous actress singing the song as she drove down Sunset Boulevard! Easy eh!!!
A big shout out to Francois himself who designed all the 109 billboards along with the amazing team at Black Kite led by George Brunt and Jonny Freeman who helped showcase the dynamic performances of archive footage of Mick, Keith, Ronnie and the late Charlie Watts.
The Sacred Egg / Topgolf "Magic of Topgolf”
“This Topgolf commercial reminds DAVID of when Feathers McGraw wore a red rubber glove on his head in 'The Wrong Trousers'. Agency Anomaly New York and director duo The Sacred Egg go even further and replace every human cast member's head with a golf glove.”
David Reviews
Keane Pearce Shaw / TNT Sports “This isn’t just sport. This is everything"
Explosive new film by Keane
Featuring Laura Woodsy, Rio Ferdinand, Aaron Ramsdale, Peter Crouch, Lynsey Hipgrave, Maro Itoje, Ugo Monye, Molly McCann-Pearson, Joe Joyce, Suzi Perry, Reshmin Chowdhury and Declan Rice
Omar Jones / Stormzy Feat. Raye "The Weekend”
"The heady intoxication of a steamy summer romance sets the vibe for this collaboration between Stormzy and Raye. Strong blue lighting characterises the night-time club scenes in the promo for 'The Weekend', while director Omar Jones threads connecting colours through other shots of fraught missed connections. A final car window smash via crowbar brings a bittersweet note of humour in right at the end, too."
David Reviews
Danilo Parra / Squarespace “Backstage with Adam Driver”
Danilo Parra:
"During a Super Bowl commercial shoot, I teamed up with the Squarespace creatives and Adam Driver to create the illusion of many Adam Drivers backstage. Winner of Best Concept and Post Humor at the AICP awards and receiving a Bronze Lion in Cannes."
François Rousselet / German Road Safety Council / Federal Ministry For Digital & Transport / Runter Vom Gas “No Answer”
François Rousselet directs a cinematic thriller for the German Road Safety Council / Federal Ministry for Digital and Transport / Runter vom Gas, encouraging people to #donttextanddrive
Produced by Anorak Film
Finn Keenan / TSB Bank "Friends"
"Tiny the money worries elephant rides again in another quirky spot for TSB. This time the little blighter joins a man on a double date, as his friend explains that he’s not so scary thanks to the advertised bank.
The pair have admirable chemistry - given the one of them is a puppet - and a final “kung pao” may be a bit cheesy for some, but we rather like it. "
David Reviews
Rich Hall / Elephant Kind "Love As"
Rich Hall wanted to set Elephant Kind’s video on the moon so we popped over to get the vibe. The train on the way back to Earth was just so packed with characters, it was like a casting director’s hallway. So Rich said f*** it, let’s just shoot it now.
The DOP decided zero-gravity worked in our favour and the producer agreed to pay travel expenses for being outside the M25, only because they’d save on camera kit by using alien drool in lieu of a dolly.
So the band performed ‘Love As’ amongst the melee, and that’s how we got a video for an indie band about intergalactic space train love.
*actual sequence of events may have differed.
Max Siedentopf / Gucci "Continuum"
Max Siedentopf:
"Introducing: Gucci Continuum.
As the newest initiative by Gucci Vault, Gucci Continuum invites visionary designers, brands, and artists to transform the House’s deadstock fabrics and past pieces into their own unique creations.
In a time where AI let’s you create anything you can imagine with a lazy click of a button it’s so much more rewarding to painstakingly do everything by hand with all its beautiful imperfections and detail and lots of human sweat, blood and tears (of joy).
Big thanks to the amazing team behind this for the insane amounts of hours of cutting out a million tiny models."
Hugh Mulhern / Hak Baker “Telephones 4 Eyes”
The most you’ll see of Hak Baker in the Telephones 4 Eyes video, is his mouth from inside a stomach. One that’s delivering lyrics withurgency, amongst the visual delirium created by Hugh Mulhern, to match the pace of Hak’s social commentary.
While the lyrics have a distinctly 1984 slant, it’s a video that could only be made in 2023; splicing together stop motion animation, found footage, live action and AI generated sequences, to create a sensory overload that is the Riff Raff director’s favourite work to date.
A Hak and Hugh collaboration has been cooking for a while, and if this is the result of their first proper endeavour, then we’ll be found sitting by the phone to hear what’s up next.
Humans / BOSCH “Night Eyes”
Humans had a vision for this film. An impeccably clear, streak free one, which just so happened to be super convenient for the job.
The directing duo were required to channel superhuman abilities for this Bosch spot through US agency Bailey Lauerman, and they delivered by adding night vision mode to their suite of creative can-dos.
Now that they’ve gone nocturnal, the pair have been out hunting ideas at all hours and leaving them on the Riff Raff office doormat for us in the morning. So we kindly ask that you please keep Humans’ new working hours in mind when scheduling future work.
Piers Dennis / Self Esteem "The 345"
Having a shitty morning?
Watch. This. On. Repeat.Self Esteem’s ‘The 345’ and its Piers Dennis-directed video, are best described as akin to a hug from a friend when you’re having a rough day. A really great, life affirming hug.
The video is the fifth Piers has directed for the Mercury Prize-nominated artist, and features documentary footage he's captured during the past year of Self Esteem's rise to alt-pop stardom (or the 'Joker for single people' as she prefers to put it). It also offers the chance for another marvel at her genius Glastonbury stage-wear - an ode to Sheffield's Meadowhall Shopping Centre domes - and the realtime reactions to it.So, after you’ve done yourself a favour by watching it ten times, send this on to someone who might need a smile today.
Danilo Parra / Ford EV "Mushroom" Pondering how to make a car ad that speaks to this moment in human history?
Cast a mushroom as the star. One with murderous tendencies. And do not - definitely do not - feature a single shot of a car, not even a hint of wheel.
That’s the approach BBDO Canada took with Ford, when they asked Danilo Parra to write and direct “Mushroom”.
Danilo’s short film, featuring foragers in a standoff over the discovery of a giant mushroom, was shot in Toronto with the set power supplied entirely by electric vehicles.
You could call this car-less car spot reverse advertising, but the moral of the story is this: nature’s powerful, respect it, or you’ll end up with a tent to the face.
“Mushroom” a short film powered by FORD EV vehicles.
Megaforce / Nike Football "Football Verse"
An international team of scientists at a secret lab in Switzerland finally cracked the code. They’ve written the formula that will put an end to any discussion—the ultimate battle of all football generations...
With the push of a button, they bring us legendary players from the past and present. A crazy experiment unfolds. Watch now to find out if the world of science can find a way to settle the score. Produced by Iconoclast.
Rich Hall / Paddy Power "Where Were You In '22?"
Some of us attended the recital rehearsals, practiced the choreography and subjected our parents to improvised glad tidings in the supermarket. Then again some of us accepted we’d always be a donkey, and kicked a ball about instead.
Obviously this doesn’t sum up everyone, BUT to celebrate Rich Hall’s latest spot through Droga5, we’re positively leaning on stereotypes, because 2022 is the year they combine in glorious heartwarming unison.
Paddy Power’s “Where Were You in ‘22?” is a World Cup meets Christmas story for the ages - and one for those fans devoted enough to roast their sprouts in flag formation.
Todd + Kylie / ALDI "Aldi Christmas 2022"
It’s a challenge to amplify ‘Home Alone’ beyond its classic film status, but we think Psyop’s Todd + Kylie have figured out a way to do just that: add a carrot. And not just any carrot, but rather fittingling, KEVIN!
Yes folks, Kevin the Carrot’s adventures are returning to our screens, and this time he’s armed himself with toothpicks and confetti in an attempt to ward off a (rather jolly) intruder.
McCann UK’s annual campaign for Aldi stays close to the original Christmas film, but strays just enough to provide us with some uniquely Kevin moments. Spreading joy for a 7th year in a row, we think it’s safe to say that Kevin’s a classic too.
Max Siedentopf / Tk Maxx "Nailed It"
Kicking off the festive season, TK Maxx has enlisted the brain of Max Siedentopf to furnish their Christmas campaign with his trademark offbeat editorial magic.
Through Wieden & Kennedy London, ‘Nail Christmas For Less’ teaches us that the ultimate reward for the ultimate gift is a parade of epic high fives, masterfully timed to the beat of Grace Jones' ‘Supernature’.
Equal parts silly and chic, the spot is a joyful and fashionable strut through a picture-perfect festive town, and a gift that keeps on giving. Let’s face it, if you’re not high-fiving a sheep this Christmas, are you really doing it right?
Danilo Parra / Documentary+ "Mala Onda" trailer
Now streaming on Documentary+ Danilo Parra’s gripping and unsettling horror-doc on unexplained animal deaths in Puerto Rico. A Riff Raff and XTR production
Omar Jones / Ab-Soul feat. Zacari "Do Better"
If you do one thing today, watch this. A visual reinterpretation of real-life events that have occurred in Ab-Soul life.
Omar Jones:
“I am humbled and grateful for Soul's trust and collaboration throughout the process of putting this one together. Thank you to Anthony “Moosa” Tiffith to coming to me with such sensitive and personal story and seeing it to the end. Love to my producers/family David Wept and Farah Idrees for being my support. Firm handshake to Kristian Zuniga for capturing these beautiful frames. Thank you to every cast and crew member that was part of this 🌹”
David Wilson / NHL 'There’s Some Hockey In You'
David Wilson’s new spot through NYC’s Mojo Supermarket, is one for some of the most dedicated and intense sideliners - ice hockey fans on the Atlantic’s far shores.
Highlighting the drama of watching an NHL game, the spot for Bleacher Report pops in classic David Wilson style, and, like watching an ice hockey game, it’s a pucking great time.
Burberry 'Night Creatures' creative and direction by Megaforce Behind the Scenes
Take a little peek behind the curtain to see how Megaforce's latest Burberry spot came into being. No spoiler to say the Creature was CG but the rest? Pretty much as rehearsed...enjoy!
Finn Keenan / Lionsgate+ 'It Lives on'
Wit, charm, daring, and just great craic. All words we’d happily assign to Finn Keenan. As it happens, Lionsgate+ are also described that way (minus the endearing Irish term) in this here ad. What are the chances you say? Quite high - Finn directed it.
Through Adam&EveDDB, Finn’s latest spot captures that full blown immersion we have, when a film or tv show sits us down and says WATCH ME, and we abide wholeheartedly.
We’re not going to yell at you, but maybe watch it. It features a laughing Jeff Koons-inspired balloon stomach. So it’s worth it for at least that. And the wit. And charm.
Humans / Cash App 'Birthday'
They’re like a border collie wearing bowling shoes: clever, quirky, and incredibly friendly. They’re Humans (and together, would wear the same number of shoes as a collie - we’re actually quite realistic with our metaphors around here, thank you very much).
For their commercial directing debut at Riff Raff, the duo have created a series of everyday epics for Cash App, through R/GA in the States. These pacey little numbers are full of crash zooms, whip pans, and sporting legends OBJ and Serena Williams. When it comes to delivering a creative vision, it’s clear Humans know how to bowl a strike, and we couldn’t be more thrilled to have them on our directing team.
Keane Pearce Shaw / Champion 'Hoodies'
Not all superheroes wear capes, and not all champions wear hoodies - but they do invent them.
Keane Pearce Shaw’s latest work, through Energy BBDO out of Chicago, is a spot for Champion, celebrating what the sportswear brand brought the world over 100 years ago: The Hoodie.
Beloved by sports stars for their pre-game routine, film stars trying to buy their oat flat whites incognito, and those of us pulling them on to give our food delivery driver 5 stars, The Hoodie is a firm (but actually very soft and comfortable, style meets comfort sort of vibe) favourite. Like our Keane; he’s a bit of a champ too.
Ryan Staake / Humane ‘Change Everything’
Ryan Staake wrote & directed a teaser film for Humane, a secretive new tech startup founded by ex-Apple designers. The film follows our hero as she escapes the clutches of a dark & surreal gadget addicted world.
The duo had previously worked at Mother as Creative Directors, writing the Cannes gold Lion-winning “Playin’ with my friends” for Ikea, as well as campaigns for Boots, Coca-Cola, Stella Artois and MoneySuperMarket.
They initially left Mother in 2014 to join Wieden & Kennedy London as a senior creative team. In 2016 they moved to Grey, where they worked on accounts including Lucozade, McVitie’s and Marks & Spencer.
The pair will leave the agency for a second time in mid-September with five Cannes Lions, eight D&AD pencils, 10 British Arrows, five Campaign Big awards and 10 Creative Circle awards under their belts.
Whitaker and Outhwaite-Noel told Campaign that they had been shooting music videos with Riff Raff since December 2019 when they filmed British grime MC, DJ and record producer D Double E’s video for Fresh N Clean (Silence the Critics).
They said: “We’ve always loved creating film and the more we do it, the more we want to do it even more. Mother has been incredibly supportive of us directing in our spare time, but it got to a point where we wanted to dedicate more time and energy to it.
“Strong conceptual ideas have always been at the heart of everything we do," they added. "We’re excited to bring this into our directing work and see where it takes us.
Zach Witness 'Frankie and Levan' by David Wilson
This beautifully queer team up between David Wilson, Riff Raff and Zach Witness honors the LGBTQIA+ roots of dance music. An ode to two queer innovators and icons, it delivers beautifully in an homage to Frankie Knuckles and Larry Levan.
Take a dance break today for this one.
BT Hybrid 'Broadband Nightmare' directed by The Sacred Egg
New spot for BT by The Sacred Egg warns customers about the horrors of bad broadband, with The Specials' classic track 'Ghost Town,' a father is shown descending into a personal nightmare when the router stops working, as endless loading times and streaming problems send him plunging into an internet abyss.
Virgin Media 02 Volt 'Supercharge your world' directed by Rich Hall
Strap in for Rich Hall’s turbo-charged spot for Volt, an ode to cyber superpower to celebrate the merging of Virgin Media and O2 and some enviable internet packages ⚡️
Fontaines DC 'Jackie Down The Line' directed by Hugh Mulhern
Sorry it’s not disco, we lied. It’s an album of terrible lows and even worse highs’ Fontaines D.C Definitely not ashamed to admit we’re huge fans of Fontaines DC so it was our pleasure to mark the release of their new album Skinty Fia, and Hugh Mulhern’s directorial debut with Riff Raff, with the official video for Jackie and a one-shot live performance of the track, captured on drone, for the band’s performance on The Tonight Show with Jimmy Fallon.
'Social Distance Dance Club' Film by Danilo Parra
This all started with Steven Hoggett, who had an idea. An idea he worked on with Christine Jones & David Byrne. A great idea.
Gucci Lifestyle Campaign directed by Max Siedentopf
The campaign celebrates its launch by revealing dreamy images where wonders and enchantments reign. Shot by Max Siedentopf in Tuscany, in Castello Sonnino; a 16th century fortress built by the Medici family. As if by magic, everything is transported into a fluid universe. Nothing is what it seems and unpredictable eccentricities can appear anywhere.
John Lewis 'Anyday for Anyday' directed by Francois Rousselet
The campaign promotes the new Anyday range, which promises John Lewis quality and style at everyday prices. Inspired by everyday situations including a sister cutting her brother's hair in the bathroom, a homeworker spilling coffee down himself and a couple eating pizza in front of the TV, the film presents a more representative cast and home environments that will appeal to a broader range of customers.
BT Hybrid 'Broadband Rage' directed by The Sacred Egg
If you are one of the many people in the UK who have experienced this condition, consider these 90 seconds involving modems exploding into tiny, rage-satisfying pieces, a form of catharsis courtesy of The Sacred Egg through Saatchi & Saatchi. The spot comically brings to life the hulking beasts of broadband rage that lie within all of us. That awesomely angry alter ego ready to tear apart our home offices as soon as the wifi connection drops, and that buffering spiral of doom sends us into a spiralling of our own.
The Strokes 'The Adults are Talking' directed by Roman Coppola
The new video sees the band reuniting with director Roman Coppola, who has directed several videos for the Strokes.
The video stages a tense baseball battle between the band and a team of robots, which appears to come down to a dramatic final moment.
NHS ‘We Are The NHS’ directed by Ed Morris through MullenLowe Group UK.
The films bring together not one but multiple - small yet special - moments from over the NHS’s history. This work imbues us with pride; pride for our rare and cherished healthcare service, and for the people who made this moving campaign into a beautiful piece of moving imagery.
Burberry 'Festive’ Creative & Direction by Megaforce, through Riff Raff
"We found the idea of this film digging though Burberry’s history. The founder, Thomas Burberry, created innovative weatherproof clothing that was used by polar explorers, which gave us this idea of a story that saw its characters braving the elements with ease. That iconic scene from the film ‘Singin’ in the Rain’ came to our minds so we wanted to draw inspiration from it and make a version that speaks for our times. This year has been tough for us all, so we wanted to push the metaphor and transformed the rain to ice blocks. We also changed the narrative from a single character to a group of friends because going through the adversity is a thing that we’d better do together" - MEGAFORCE
Paloma Faith “Gold” directed by David Wilson
On first glance, the new video for the rare gem that is Paloma Faith looks to be all about THAT pink dress. But director David Wilson reveals his latest baby is about something of a different colour: Gold, and those people who are like gold dust. “Hackney is home to myself and Paloma. With property getting more expensive by the minute, this video is a statement, told through a fantastical Paloma-lens, about the real Gold of East London; the people that live in here, the community, and camaraderie” - David Wilson
Joe Hertz 'Current Blues' directed by Jon E Price
The premise for his latest music film is – in his own words - simple: "Joe Hertz and his vocalists go on a lucid music trip of journey, process and collaboration, in a unique removed location. Making films in this space where performance, narrative and documentary meet is really exciting for me; something I’d love to do more of. It allows you to be playful with the format and to push an experimental visual language."
Nando's 'Now Try Thinking about Something Else' Directed by Rich Hall
“The positives of working on a job like this: creative and fun scripts, working with great talent, constantly thinking about eating Nando’s. The negatives of working on a job like this: constantly thinking about eating Nando’s.” - Rich Hall
Glass Animals ‘It’s All So Incredibly Loud’ directed by David Wilson
Shot on both a Phantom and an Alexa during the limited darkness of a UK summer night, David kept this film exceedingly simple. It’s a decision that marries performance and creative vision, and allows the viewer to sink completely into the depths of human emotion.
Diesel ‘Francesca’ directed by Francois Rousselet
In the third of a series of films for Diesel Francois’ short features a young woman, who is assigned male at birth, as she begins transitioning through life, in feats both big and small, as she goes on to reach her true faith and dreams. Enjoy.
Lurpak 'The Humble Spoon' directed by Rich Hall
The spoon. The instrument of smoothness. The tool of good food. The ever present, never changing object that has cemented its place in human history. Very similar to the Director.
D Double E ‘Fresh & Clean’ (Silence the Critics) directed by HUMANS The music video for D Double E's single, 'Fresh N Clean' sees D Double E going head to head with a dodgy estate agent (played by Steve Oram) as he tries to let out an undesirable house to his mates.
Ordinary 9 by Max Siedentopf
Ordinary is a quarterly fine art photography magazine featuring over 20 artists from around the world who are sent one ordinary object, which comes as an extra, to make it extra-ordinary.
Issue 9 is about one of the most ordinary objects, used by almost half the population, but which still a taboo in many places.
Nike China "Qiang Diao" directed by Finn Keenan
The latest film from Riff Raff’s Finn Keenan is an epic comedy narrative for Nike and W+K Shanghai. The film follows a butler searching the city for ‘Qiang Diao’, pronounced ‘Ch’yang d’yow’ which is a Shanghainse word meaning ‘swagger’ ‘confidence’ ‘flair’ or ‘game’ – something that cannot be bought, but has to be earned.
Omen HP 'Achieve Gamefulness' directed by The Sacred Egg These three spots directed by The Sacred Egg are all set in the fantastically surreal ‘Omen Training Facility’ and invite gamers to achieve mental stamina, focus and teamwork. The gamers are coached by ‘Gamefulness Masters’ who offer mentoring and philosophical teachings on how to ‘Achieve Gamefulness’.
CamelPhat ft Jake Bugg "Be Someone" directed by The Sacred Egg
In this split screen video The Sacred Egg show the idea of Twins, who seemingly could not follow more different paths, but visually when you show them side by side, are they so different. So what does it mean to be someone? Well it depends on the person and what path they want to follow. In Ed and Alex's words " Our idea for the music video is to follow a life story of someone trying to be someone, but rather than just telling the story of a single person, we are going to tell the story of two people. Twins. One twin goes one way the other goes the other way. Even though they both take different paths, their lives seem to play out in complete parallel. Complete symmetry. "
Max Siedentopf Two Door Cinema Club
I would love to turn "Talk" into a video completely overloaded with visual tricks and surreal humour. Inspired by this photo, the idea is to have a similar setting (everything blue) where we fly through all kinds of fun scenarios.
We think there is something so powerful about this truth.
◀︎#160kchildren. An estimated 160,000 children in England are currently living in households where domestic violence is taking place.
David Dearlove came to us with an idea. Thats what he does, he is a creative director at WCRS, but he wanted to direct it with our help. It was for the charity, Women’s Aid.
It was a brilliant idea for a hugely worthy cause, and the film, well we think he has done a great job. Watch it, watch it carefully until the end.
The first of 3 commercials for Ikea & Mother by The Sacred Egg. All based around the iconic Frakta bag, oh and with a bit of magic thrown in for good measure tea cups, knitting, and 3 old women. Genius. Thanks Mother.
From The Sacred Egg, "Now if it was okay with you guys we’d like to suggest a slight modification to the idea. To hopefully show the bag in a more of an iconic light. So imagine the bag sits on the floor of all our rooms in our home, the lead characters pull products of impossible scales from the bag like magic. Now imagine if there was a beam of light coming out of the bag. Almost like miles down below the floor boards is a sun producing powerful light. The bag is a magical portal. Now the reason we suggest this beam of light is for a couple of reasons. For originality but also because we think it will look amazing and make the spots even more magical... from the start".
You will have to wait and see what happens in the next two!
David Wilson's new work for W&K Amsterdam and Nike shows the rites of passage of an unknown young Russian footballer all told through the use of stop frame animation via the spirit of the "korobka", the football cage where most Russian kids learn to play football.
All shot over the course of 8 days with the stop frame animation comprising of 240 murals between 2 - 16metres high decorated over 15 locations.
Lidl ! Germany! yeah thats what we thought, until Ryan Staake got involved. More than surprised and wait until you hear the music.
Well done all the team at Überground and the local production company EASYdoesit Berlin, we are mightily impressed.
Luke Monaghan on Flatbush Zombies “I went into the video wanting to give off a feeling and set a tone; I feel like rap videos in the 90’s did that so well. They didn’t try too hard or try to shoehorn in camera technique as much. It was all about the feeling. I wanted people to feel like they were in Flatbush Zombies’ version of Flatbush. I wanted people to feel like they needed to wrap up warm when they watched the video because it makes you feel like you’re in New York on a bitterly cold night.
"My main reference going into the video was Wu Tang ‘C.R.E.A.M’. I love that video. People don’t make them like that anymore.
"I go back a long way with Flatbush Zombies, their first video ‘Thug Waffle’ was one of the first videos I ever made. So it was important for me to do a good job by them and give them a video to set the tone for their second album ‘Vacation In Hell’.”
We represent The Directors Bureau in the UK.
They are like us, they are about the creative work so take a look... what's the worst that can happen?
Well you would win awards and get a pay rise, thats all.
Sigrid "Strangers: Well done Ivana & Sigrid, In Pitchfork's Top 3 videos of January 2018. Couldn't happen to to nicer people. 31,165,188 views
From Megaforce: As the film is a vision of the world through the eyes of a Finish tablet. Let’s present the dirty dishes just as a tablet sees them: like organised in a dishwasher. Dishes are stacked up vertically, cups up side down, knives horizontal or stacked together.
Basically, for each scene, we will do a still life of the exhaustive list of the dishes left behind.
Still think this is a great brand film.
Watch it again, there is so much craft and attention to detail, exactly what you expect from Francois Rousselet, but also Grey and M&S.
Its a bear for 6-9 year olds to let them know things that they think are worrying are usually all part of growing up and here is a bear to help (with a little help from the people who love them).
They write a note and put it in Yako's pouch and spin the mouth to sad and wait for a reply.
Click left for more info.
TheSacred Egg + Droga5 NY = Mailshrimp + Cannes Gold.
From The Sacred Egg: We love it when people are individual. Everyone is a genius if they are truly themselves because that’s the one thing no one else can do.
If we want to encourage others to be individuals then we have to be too.
So we are not selling an email service. These are not adverts. They are bigger than that. This is a glimpse of MailChimp’s personality.
This is a chance to think like we think. To go down the rabbit hole and into the mind of MailChimp.